All About Nikki- The Fabulous First Season
Smashwords Edition
By Shawn James
Copyright ©2011 Shawn James
This ebook is licensed for your personal enjoyment only. This ebook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each recipient. If you’re reading this book and did not purchase it, or it was not purchased for your use only, then please purchase your own copy. Thank you for respecting the hard work of this author.
US Copyright Number PAu 3-560-279
This is a work of fiction. All events, locations, institutions, themes, persons, characters and plot are completely fictional. Any resemblance to places or persons, living or deceased, are purely coincidental.
Screenplay Basics
If you’ve never read a screenplay before, don’t worry. I’m going to walk you through some of the terminology used in a movie script.
FADE IN: – The opening line of every screenplay. It tells the reader what they’re looking at in the opening scene.
INT. – Short for Interior. This heading is used to describe action in scenes going on indoors.
EXT. – Short for Exterior. This heading is used to describe action in scenes going on outdoors.
Both of these headings usually start at the top of a SLUG LINE.
SLUG LINE – The sentence at the beginning of a scene that tells the reader where the scene is and what time it’s happening. Some examples of slug lines are:
INT.DESMOND MANOR – MORNING
This scene is inside Desmond Manor apartment and it’s in the morning. However, if she goes into another room in the apartment like the–
KITCHEN
A shorter slug line can be used since the action is still taking place inside the apartment. And if she decides to step outside later–
EXT. 14th STREET – NIGHT
A new slug line will tell the reader the action is taking place on 14th Street at night.
MAJOR CHARACTER names like NIKKI DESMOND are written in ALL CAPITALS when they are first introduced and in dialogue headings. Basic English grammar applies for all story paragraphs and the descriptions of minor characters like extras. An example of this is:
Sitting quietly between a fat kid are NIKKI DESMOND and CANDICE COLLINS 16.
Nikki and Candice are major characters; the fat kid is a minor character.
INSERT – The camera moves from the main action to a shot of something relevant to the story. Usually inserts are pictures of objects like clocks or action going on a TV screen or computer monitor.
CUT TO: – The camera moves away from the main story to another shot rapidly then back to the main action.
POV – Used to show us what goes on in the eyes of the character. We see what the character is seeing.
BACK TO – Used to transition from an insert or a cut back to the main action.
MOVING – This is usually used to describe action in cars, planes and other vehicles.
BRRRING! The phone RINGS. KA–BOOM! The bomb EXPLODES. CRUNCH! He takes a fist to the jaw! SOUND EFFECTS are always CAPITALIZED.
PARENTHESES (Wrylies) – These are simple stage directions placed under a section of dialogue for the actor. These are used only when absolutely necessary. Actors hate it when there are too many wrylies in a script. It’s not the writer’s job to tell actors how to act!
VOICE OVER (V.O.) – Usually placed under a section of dialogue to describe when someone is speaking off screen. In this screenplay I’ll be using the term (ON PHONE) to describe most of the voice–overs.
MONTAGE – A series of quick scenes that move the story forward. Usually montages are set to music onscreen. They often show time passing or transition from one story sequence to another.
DISSOLVE TO: – Used when one scene fades into another. Dissolves are another way of transitioning between two scenes to move the story forward, but like wrylies dissolves are used when absolutely necessary. It’s the director’s choice where these are placed in the final film, not the writer.
No matter how the story is written, all screenplays end with:
FADE OUT:
THE END
TV Episode Basics
TV scripts, known as Teleplays are similar to feature length screenplays. However, the Teleplay follows a unique set of rules for formatting.
On each cover page of a Teleplay there’s a heading:
ALL ABOUT NIKKKI
Episode 1.01 – “PILOT”
On the second between the word episode and the title is a number. This number breaks down as follows:
The first 1 is the number of the season being produced. An episode starting with the number 1 is in its first season.
The decimal point separates the episode and the season.
01 is the number of the episode in the series being produced. An episode starting with 01 is the first episode of a series of the season.
For example a script with episode 1.01 on the title page would be the first episode of first season. The second episode of that season would be episode 1. 02, the third 1.03, the fourth 1.04 and so on.
The minimum length for 30-minute sitcom scripts is 20-22 pages. One page of 8.5”x11” paper is equal to one minute of film or video for a sitcom.
Standard TV scripts follow a structure of a teaser and two acts, with breaks in between each for commercials. I’m omitting those breaks to make the stories easier to read.
All TV scripts (teleplays) and screenplays are written in 12 point Courier font on 8.5” x 11” paper. However, to make things easier on readers’ eyes for this book I’m using Garamond at 12 points.
All About Nikki is written similar to a first-run syndicated/Cable sitcom shot on videotape. So the storyline of the first season is designed to be completed within the parameters of 13 episodes.
All About The Players
The Main Cast
Nicole Alexandria “Nikki” Desmond: The 16-year-old daughter of billionaire Donald Desmond is the product of too much, too many, and too little. Too much money, too many boarding schools, and too little discipline. A spoiled brat used to getting her way with everyone and everything, she thinks the world revolves around her and ONLY her. After being expelled from Premington Academy for fighting with public high school girls on a class trip, her mother sends her to live with her father in California. While she attends Beverly Hills High School, her father works towards correcting her behavior before she leaves for college.
Donald Desmond: The wealthy CEO of Desmond Enterprises, he puts his business operations on partial hold while he deals with the crisis in his home. A product of the liberal 1960’s and 1970’s he believes in patiently teaching Nikki lessons about life through examples rather than the harsh physical discipline he endured from his parents as a boy. However, he won’t hesitate to threaten Nikki with a belt if she gets too out of line.
Rumsfeld Clarington III: The stalwart Desmond family butler for over thirty years. A polished British servant, he’s a sage of advice for both father and daughter. Realizing the how emotionally vulnerable and alone Nikki is in Los Angeles, he supports her, even if it means going along with her cruel actions in the short term while providing counseling and support to her father towards her long term discipline.
Rosa Lopez: A product of a strict home environment, she doesn’t put up with Nikki’s bad behavior in most cases. When her father isn’t around, Rosa applies tough love and a sharp-tongued wit to get Nikki in line.
Candice Collins: Upon arriving at Beverly Hills High School, she’s the first girl to become Nikki’s friend. Tired of being the token Black chick in Beverly Hills, she’s glad she’s found someone she can relate to and identify with. Often a partner in Nikki’s schemes she knows where to find the exit when they get caught. However she’ll stay and have Nikki’s back when she’s going through a crisis.
Recurring Characters
Leslie Desmond: Nikki’s career-obsessed mother. A cold calculating businesswoman who thinks more with her head than her heart. She has little love for Nikki and much less for Donald’s sensitivity. Selfish, insensitive and downright cruel, whenever she comes into her family’s life there is only one thing: DRAMA.
Desiree and Noni: When Nikki starts hanging out with Candice, her former friends show their true colors and intense rivalry begins.
Shameeka Jackson: A wanna-be gangstress who prowls the halls of Beverly Hills High bullying new students and taking their stuff. Nikki runs afoul of her during her first few days at Beverly.
Sean Bastion: A fat nerdy brother looking for love in all the wrong places. A wanna-be player with bad timing, bad fashion sense, and an arsenal of the most tired lines he’s often the butt of jokes and ridicule.
Eunice Brooks: The hardworking director of the South Central Community Center seeks to give Nikki a deeper understanding of her place in the world and her racial identity during her volunteer service.
Occasional Characters
Big Country Guy: Often used for comic relief and one liners– The Big Country Guy is LOUD and his clothes LOUDER. A tacky southerner with no class or style, he runs afoul of Nikki in most public places with hilarious results.
ALL ABOUT NIKKI
EPISODE 1.01
“ALL ABOUT THE PILOT”
FADE IN:
EXT. METROPOLITAN MUSEUM OF ART – MORNING 1992
A New York center of art and culture on Manhattan’s Fifth Avenue. Tourists take pictures, vendors sell franks, sodas, and pretzels as–
A top of the line charter bus pulls up in front of the grand building. MS. DUNCAN, 38, a polished professional African-American teacher in a crisp business suit gets off the bus and smiles proudly as–
Her disciplined class gets off the bus single file dressed in polished loafers, crisp gray slacks, starched white shirts, and crested blue blazers. The girls wear tartan kilts. These kids are money, the sons and daughters of power players. Her smile twists into a scowl as–
NIKKI DESMOND, 16, takes her time getting off the bus chatting on a cell phone. A rich spoiled sista with a style all her own, she stands out from the crowd by wearing a red Church hat with her uniform. Nikki is so focused on her conversation she doesn’t notice–
NIKKI
Yeah. We’re right outside the museum now Shelley. I know. We’re not too far from the Madison Avenue shops. Maybe once the trip is over we’ll get free time and be able to go shopping–
An annoyed Ms. Duncan standing behind her. Nikki doesn’t get a chance to finish the thought before–
SNATCH! Ms. Duncan takes the phone from her.
MS. DUNCAN
Shelley, Nikki will call you back.
Ms. Duncan hits end and puts the phone in her purse. Nikki is pissed.
NIKKI
Hey! Ms. Duncan–
MS.DUNCAN
You’ll get your phone back when we get back upstate.
NIKKI
But it was an important call–
MS. DUNCAN
If it’s more important than my class you can tell Dean Myers about it.
Ms. Duncan does a headcount. A resigned Nikki pouts and gets in line as–
MARCUS BRENT, 16, a cute young brother with a sense of humor notices a–
yellow school bus
Pulling up behind their charter and calls out to his classmates–
MARCUS
Yo! Cheese bus alert!
The kids laugh. Nikki huffs a sigh and rolls her eyes.
NIKKI
Just what we need. Poor kids. I hope they don’t embarrass themselves.
MARCUS
Just be cool Nikki. You know Ms. Duncan has you in her sights.
NIKKI
How much worse could it get Marcus? Another detention, more cafeteria duty? I swear, ever since I got into this school Ms. Duncan has been trying to get me kicked out of it–
MARCUS
Still, you should chill. She’s got your phone–
Nikki opens her Louis Vuitton backpack and smiles.
NIKKI
But I’ve still got my Discman. You have your Janet Jackson CD’s?
Marcus opens up his bag and shows Nikki–
MARCUS
Control and Rhythm Nation.
NIKKI
Cool.
Nikki a searches the bottom of her backpack for her Discman while–
A FEW YARDS AWAY
A tired public school teacher in rumpled suit shuffles off the school bus followed by a small group of rowdy teens wearing jeans and sneakers. The last off the bus, LATANYA JENKINS, 16, a round the way girl with a bad attitude sighs and rolls her eyes as–
BACK TO MS. DUNCAN’S CLASS
Nikki catches a glance of–
Latanya
As she’s putting the CD in her Discman. Nikki huffs a sigh and Latanya–
Is about to go off. Her friend, LATOYA JONES, 16, tries to diffuse the situation.
LATANYA
What is that heifer looking at?
LATOYA
Latanya, chill. Don’t start nothing–
LATANYA
Nah Toya, you ain’t see how that private school heifer in the red hat looked at me! If she wants to start something we could do this–
LATOYA
Latanya, you don’t want to get suspended again–
LATANYA
Nah, you let that bougie heifer look over here one more time. I’ma give her something to look at.
Latoya tries to calm Latanya down. Across the sidewalk–
The private school kids head into–
INT. METROPOLITAN MUSEUM OF ART – LOBBY MORNING
A large open space with fine art on display. Nikki lags behind her classmates trying to put her Discman back in her bag as–
The Public school kids walk in. Nikki struggling to get her headphones on, bumps into a seething Latanya.
NIKKI
Sorry.
LATANYA
You about to be.
WHAP! Nikki gets punched in the face by Latanya. THUD! Nikki hits the floor and–
Her Discman spills out of her backpack. Blood pours from Nikki’s nose as–
She loses it. She charges Latanya and tackles her to the floor while–
Ms. Duncan
Picks up Nikki’s Discman. Meanwhile–
Tourists, patrons and students go wild watching the catfight. Nikki has a handful of Latanya’s hair when–
Security guards hurry over to break it up. Ms. Duncan snatches Nikki out of their grasp and glares at her.
MS. DUNCAN
You just couldn’t stop.
NIKKI
She started it–
MS. DUNCAN
(Shows Nikki her Discman)
You wouldn’t have bumped into her if you weren’t listening to this.
STUDENT
OHHHHHH SNAP! BUSTED!!!!
Ms. Duncan grabs Nikki’s blazer and glares at her intensely before going ghetto–
MS. DUNCAN
I’ma make sure your Momma’s money doesn’t get you out of this one.
An angry Ms. Duncan glares at the other students before demanding–
MS. DUNCAN
ALRIGHT EVERYONE GET ON THE BUS. NOW!
Ms. Duncan pulls Nikki by her blazer collar and leads her out of the museum back on to the–
INT. CHARTER BUS – morning
Plush and luxurious. Ms. Duncan shoves Nikki in the seat next to her as–
Kids huff sighs and scowl at her as they pile back on the bus. The last to board, Marcus hands Nikki a tissue for her bloody nose. It’s a tense ride back to–
EXT. PREMINGTON ACADEMY – AFTERNOON
A top boarding school in upstate New York. Inside the–
INT. DEAN’S OFFICE – EVENING
Nikki in her rumpled uniform sits somberly in front of the desk of DEAN MYERS, 58, a stuffy Black intellectual. He glares at Nikki’s red Church hat, cell phone, and Discman on his desk then tells her–
DEAN MYERS
Miss Desmond, you’re in a lot of trouble.
Nikki defends herself.
NIKKI
Hey, I didn’t start that fight Dean Myers–
DEAN MYERS
You wouldn’t have gotten into that fight if you weren’t listening to a contraband device.
NIKKI
Get your facts straight. I was preparing to listen to a contraband device.
DEAN MYERS
You were told not to bring these devices to the class trip.
NIKKI
I was told by my teacher we could have them on the bus and at lunch–
DEAN MYERS
You were told by administration not to bring these devices on the class trip–
Realizing she’s not going to win the argument with the Dean, Nikki folds her arms and asks–
NIKKI
So what’s my punishment this time? Sudbusting? Floor waxing? No weekend privileges? There’s not much else you can do to me that hasn’t been done.
Dean Myers sighs and puts his head down before addressing her.
DEAN MYERS
Nicole Alexandria Desmond, you’ve embarrassed Premington Academy with your selfish behavior at the Metropolitan Museum of Art today. From your unrepentant attitude it’s clear to me that you aren’t fit to be Premington Material.
Nikki is scared. She knows what’s coming and makes one last plea–
NIKKI
Sir, I didn’t start that fight! Those public school kids were looking for trouble! I just–
DEAN MYERS
I’m sorry Miss Desmond, but effective immediately you are expelled from this institution. Return to your quarters and pack your belongings. I’ll contact your mother about picking you up today.
A sullen Nikki solemnly shuffles out of the Dean’s office and–
Hours later
INT. 3430 PARK AVENUE PENTHOUSE LIVING ROOM – NIGHT
A withdrawn Nikki in a designer suit sits quietly in a chair next to her bags while her Mother LESLIE DESMOND, 45, a cold, uptight career woman in an armorlike business suit barks angrily into the phone across the country to–
LESLIE
Donald, I don’t know what I’m going to do with this heifer–
LOS ANGELES CALIFORNIA
INT. DESMOND MANOR LIVING ROOM – AFTERNOON
A relaxed Beverly Hills mansion with lots of open space. Nikki’s father DONALD DESMOND, 45, a polished Black businessman dressed in a double-breasted suit patiently listens to his frustrated ex-wife three thousand miles away.
DONALD
Leslie, I would appreciate it if you would please stop calling Nicole a heifer–
LESLIE
But Donald, this is the fourth boarding school she’s been expelled from in four years–
DONALD
Leslie, I hear you–
LESLIE
No, you don’t hear me Donald. All the time this little heifer is getting into trouble. I am so sick of her mess–
DONALD
Look, maybe Nicole is having a hard time adjusting to things at boarding school–
LESLIE
Adjusting? She should be thanking me. These are some of the best schools in the country–
DONALD
Maybe boarding school isn’t right for her. Have you talked to Nicole about what kind of school she wants to go to?
Leslie, exasperated at her ex-husband glares at Nikki as she barks into the phone–
LESLIE
It ain’t about where she wants to go, it’s about where she needs to be. And what she needs to do is stop throwing away my hard earned money by messing up in these doggone schools. This girl is getting on my last nerves with this mess–
DONALD
Look, she hasn’t been the same since we divorced and you shipped her to that boarding school–
LESLIE
See? You putting it on me–
DONALD
Leslie, I’m not putting it on you. The judge awarded you custody. And we agreed to get Nicole the best education possible–
LESLIE
So I’m supposed to spend all my time taking care of the Lil’ Spoiled Princess because I got custody? Look, with this job I need some time to myself–
A frustrated Donald keeps it positive and changes the subject.
DONALD
Look, this is getting us nowhere. Something is going on with Nicole. Maybe she needs some counseling–
LESLIE
Donald, this girl don’t need no counseling. Our divorce was five years ago. What she needs to do is get over it.
DONALD
Leslie, people just don’t get over divorce. I still feel bad about it sometimes–
LESLIE
Here you go talking about your feelings–
DONALD
You can’t act like Nicole wasn’t hurt about what happened. She hears us arguing–
LESLIE
You want to know what makes me upset? You want to know what makes me upset? Talking to you! Always talking about feelings! Ol’ soft behind Negro–
DONALD
Leslie, we should talk about feelings. It’ll help us deal with stuff–
LESLIE
Well I feel you should deal with your daughter. Cause she ain’t staying with me no more.
DONALD
Leslie, you can’t just put Nicole out. She’s sixteen–
LESLIE
Well, I’m putting your daughter on the red eye to Los Angeles. If you care about her you’ll be at the airport to pick her up tomorrow morning.
DONALD
Leslie, I don’t have custody–
LESLIE
No, you don’t have custody but you got a lot of mouth. Let’s see your New Age California behind talk your way out of some of Nicole’s messes for a while.
DONALD
Leslie–
SLAM! Leslie slams the phone into the cradle. She glares at Nikki–
Who slinks out of her seat before her mother can say a word.
NIKKI
I’ll go pack the rest of my stuff.
A sullen Nikki shuffles back to her room while–
BACK AT DESMOND MANOR
CLICK! The phone goes dead. Donald hangs up the phone and looks across the room at–
RUMSFELD, 61 his polished British servant and ROSA LOPEZ 36, an attractive hardworking Mexican maid are ready to assist him. He smiles at his team as he tells them–
DONALD
Guys, there’s gonna be some big changes around here. Nicole is coming to live with us.
RUMSFELD
Did something happen to Miss Desmond sir?
DONALD
Unfortunately, she got kicked out of another boarding school, so her mother is sending her here to stay with us.
ROSA
Ay Dios Mio.
RUMSFELD
I’m sorry sir.
DONALD
I am too. She’ll be arriving tomorrow morning. Now I’d like us all to help support Nicole as she adjusts to living out here with us.
RUMSFELD
Definitely sir. I’ll have the Rolls ready to take you to the airport tomorrow morning.
ROSA
I’ll prepare her room sir.
DONALD
Great.
Everyone goes about preparing Desmond Manor for Nikki’s arrival the–
NEXT MORNING
INT. LAX – MORNING
Early morning at L.A.’s busiest airport. Nikki drags stacked Louis Vuitton suitcases across the terminal. Alone and frightened, she looks around the airport and lights up when she sees–
Her father in jeans and a black mock neck sweater holding a printed sign stating “WELCOME TO LOS ANGELES NICOLE”. She races over to her father and gives him a big hug.
NIKKI
DAD! I’m so glad to see you.
DONALD
Glad to see you too Nicole.
As they break the embrace Nikki inquires–
NIKKI
Am I staying with you or is this just a pit stop before you ship me off to another boarding school?
Nikki’s Dad smiles at her before telling her–
DONALD
You’re home. That’s all you need to know. We’ll figure out where you’ll go to school later.
Nikki follows her father out to–
EXT. LAX PARking lot – MORNING
Where Rumsfeld is standing outside of a black Rolls Royce in his formal driver’s uniform. He smiles at Nikki before addressing her–
RUMSFELD
Good Morning Miss Desmond. How was your flight?
NIKKI
It was okay Rumsfeld. My chicken dinner was dry though.
RUMSFELD
Well, we’ll have to prepare you a proper breakfast when we get back home. Shall I drop you off at the office sir?
Donald smiles at Rumsfeld.
DONALD
Change of Plans Rumsfeld. We’re all going home.
A concerned Rumsfeld inquires–
RUMSFELD
But sir, you have a meeting with Mr. Hashimoto at ten–
DONALD
After you bring us home, you can bring Mr. Hashimoto from the hotel to the manor for a casual breakfast. I’m sure he won’t mind seeing where I live.
RUMSFELD
As you wish sir.
Rumsfeld puts the bags in the trunk and drives Nikki and her father back to–
INT. DESMOND MANOR LIVING ROOM – MORNING
BAM! Nikki and her father are greeted at the front door by–
A smiling Rosa. Nikki disapproves of her with a roll of the eyes.
NIKKI
Where’s Agnes?
Rosa hides her feelings behind her smile. Nikki’s Dad tells his daughter some bad news.
DONALD
Agnes passed on a year ago. I’m sorry.
Nikki is shaken by the news.
NIKKI
I–I’m sorry that she’s gone. I wish I could have gone to the funeral–
DONALD
I wanted you to come but your mother wouldn’t tell me which school you were in when we had the service–
NIKKI
Man, I wish I could have been there. Agnes was like a mother to me. When I’d visit you she’d always take care of me the way I wish Mom would–
DONALD
I miss her too Nicole.
An angry Nikki grieves by lashing out unexpectedly at Rosa–
NIKKI
So I guess you got this wetback so you could be right in line with everyone else around here.
Rosa is unfazed by the slur but Donald is deeply offended.
DONALD
Nicole, you’re out of line–
NIKKI
Come on Dad, why’d you have to hire some Mexican? What? She can’t find a job picking fruits or something–
Donald scowls at Nikki and lets her know he means business. He’s not going to tolerate any more racial slurs from her.
DONALD
You will never speak that way about Rosa or any other Hispanic person again. Do you understand me?
Nikki backs off but continues to fight for her position.
NIKKI
Okay. But seriously, are we that hard up for money we don’t have to pay taxes on our help? I bet she can barely speak any English–
Donald is about to handle Nikki, but the articulate Rosa lets Nikki know she’s no stereotype.
ROSA
I speak English very well for a United States Citizen Miss Desmond. I graduated top of my class at Encino High.
Donald diffuses the tension between Nikki and Rosa.
DONALD
Rosa, why don’t you show Nikki to her room.
ROSA
Yes sir. We’ll have to talk later.
Rosa takes Nikki’s suitcases and Nikki follows her upstairs into–
NIKKI’S BEDROOM
A luxurious bedroom fit for a spoiled princess. Furnished with a white canopy bed, white furniture, stuffed animals, and all the amenities a spoiled teenage girl would enjoy. Rosa opens the closets as–
ROSA
Here is your room Miss Desmond. Towels are in the closet, your bathroom is on the right–
Nikki, curious about Rosa’s employment inquires–
NIKKI
I know where everything is. So when did my Dad hire you?
Rosa keeps it professional.
ROSA
Mr. Desmond hired me in November of last year after Agnes passed away.
NIKKI
So why is a woman like you working in a job like this?
Rosa feels put on the spot.
ROSA
What do you mean?
NIKKI
Shouldn’t an educated Hispanic woman like yourself should be working at my Dad’s office instead of cooking and cleaning for him like some regular Mexican?
Rosa gives Nikki a look.
ROSA
Oh, so there’s a difference between Hispanics and regular Mexicans?
NIKKI
Yeah, I mean if you’re a citizen, and you did well in school, you shouldn’t have to work this crappy job like they do. It’s not the American way.
A patient Rosa tells Nikki why she’s working for the Desmonds.
ROSA
Let’s just say I want to go places and this job allows me to get where I want to go.
Nikki sees it differently and bluntly tells Rosa–
NIKKI
I’m guessing you didn’t go to college.
Rosa hides her frustrations and inquires–
ROSA
Is there anything else I can do for you Miss Desmond?
NIKKI
Nah, I’ve got it. I’m gonna go take a shower. Four hours on a plane has me feeling kinda clammy.
Nikki grabs her toiletries bag and heads into the bathroom while Rosa rushes downstairs into the–
DESMOND MANOR DEN
A posh business office with all the comforts of home. Donald is on the phone with Rumsfeld–
DONALD
Rumsfeld you’re on your way with Mr. Hashimoto? Great. I’ll have Rosa get breakfast ready for us.
Donald hangs up the phone. He inquires about Nikki–
DONALD
How’s Nikki doing?
ROSA
She’s taking a shower. I need to talk to you about her.
DONALD
I just want to say I’m sorry about Nicole’s behavior. I didn’t raise her like that.
ROSA
I take it she takes after her mother–
DONALD
Unfortunately, I’ve had phone conversations with the ex-Mrs. Desmond that would make a sailor blush.
ROSA
I don’t think I want to meet her–
DONALD
I think she’ll be staying on the east coast. Now I know Nicole is a handful, but I think we can help her change her behavior with some guidance and constructive discipline.
Rosa walks over to Donald’s closet and pulls out a belt. She puts it on the desk.
ROSA
Well, this always worked for me when I was younger.
Donald grimaces at the belt before putting it in his desk. Bad memories.
DONALD
We’re gonna try a different approach to discipline with Nicole.
Rosa takes the belt out of the desk and lets him know–
ROSA
Rumsfeld tells me this was a time honored tradition around here–
DONALD
Well, I feel it’s time to start a new tradition. One that utilizes communication, not corporal punishment.
ROSA
What’s a more effective communication of discipline than the belt? If I was her age and I used a racial slur on someone, Papi would be chopping my behind like a lumberjack–
DONALD
Well, I don’t think those methods of discipline are very effective with teenagers Rosa. I’d prefer to try a more lesson-oriented approach.
Rosa frowns. She doesn’t agree with Donald’s approach to discipline.
ROSA
The belt teaches a very good lesson on what not to do–
DONALD
Well, I believe children Nicole’s age really need to learn from their experiences. Lessons tend to stay with children longer than beatings do.
ROSA
So what type of lesson do you plan on teaching Nikki on how not to be racist?
DONALD
I don’t know yet. But I know I need you and Rumsfeld to support me on this.
Rosa reluctantly agrees to help Donald in raising his daughter.
ROSA
Okay. But I want hazard pay. That girl has a mouth on her.
DONALD
I’ll give you a ten percent raise now and a bonus later if we can get Nicole’s attitude and behavior to change by the time she’s ready to go to college.
ROSA
I’ll go make breakfast.
As Rosa goes to prepare breakfast and Donald prepares for his meeting–
IN THE LIVING ROOM
Rumsfeld comes in with KAZYA HASHIMOTO, 40, an easygoing Japanese businessman casually dressed in khakis and a polo shirt. He smiles as he looks around the manor–
RUMSFELD
This is the Manor House.
KAZAYA
Very serene. Mr. Desmond must think very highly of me to invite me into his home.
RUMSFELD
He values your business very much Mr. Hashimoto. Make yourself comfortable. I’ll let Mr. Desmond know you’re here.
Mr. Hashimoto is looking up at a painting hanging above the mantel when–
Nikki in her bathrobe comes downstairs. She asks Mr. Hashimoto–
NIKKI
May I help you?
Mr. Hashimoto smiles and extends his hand as he introduces himself.
KAZAYA
Kazaya Hashimoto.
NIKKI
Gezundheit.
KAZAYA
No, Kazaya Hashimoto.
NIKKI
Oh, you don’t speak English? My purse is upstairs. How much is the food?
Kazaya is confused.
KAZAYA
I don’t know what you’re talking about–
NIKKI
Okay, I’ll go slower. HOW MUCH IS THE FOOD?
KAZAYA
What food?
NIKKI
You know, the delivery. It’s a little early for Chinese food, but I’m hungry–
Kazaya really gets offended about being called Chinese as–
Donald and Rumsfeld enter the living room to overhear Nikki’s gaffe. Before Nikki makes any more offensive statements–
KAZAYA
Chinese? I don’t know anything about Chinese food–
NIKKI
Why? Don’t you work at the Chinese restaurant?
Donald intervenes before Nikki makes a bad situation worse.
DONALD
That’s because Mr. Hashimoto is Japanese Nicole.
NIKKI
So he’s not the deliveryman?
KAZAYA
No, I’m Kazaya Hashimoto, CEO of Hashimoto Limited Brands. I’m here for a breakfast meeting with Donald Desmond.
An embarrassed Nikki realizes her mistake as–
NIKKI
Oh crap–
Rosa is comes into the living room to announce breakfast. She rushes up the stairs as Rosa tells her father–
ROSA
I guess there is something to your lesson–oriented approach.
Donald is surprised.
DONALD
Unfortunately. Could you excuse me for a moment, Mr. Hashimoto?
KAZAYA
Sure.
Rumsfeld takes a moment to explain things to Mr. Hashimoto as Donald hurries up to–
NIKKI’S BEDROOM
Where she’s sobbing in her pillow. She jumps when she sees him–
NIKKI
OH MY GOD! –You’re gonna get the belt to me!
Donald sits on the side of the bed and gently comforts his daughter.
DONALD
It’s okay Nicole. I’m not gonna beat you.
NIKKI
But I embarrassed you in front of a client–
DONALD
So, everyone makes mistakes. It’s a part of life. The thing is what did you learn from it?
NIKKI
That toejam sandwiches taste even worse when you insert the whole foot in your mouth.
DONALD
Besides that.
NIKKI
That not all Asian people who come to the house are deliverymen.
Donald smiles at his daughter.
DONALD
And that not all Asian people are Chinese.
NIKKI
But I thought he was a deliveryman. The way he was dressed–
DONALD
You can’t go by clothes Nicole. People don’t wear suits and ties all the time when they’re doing business.
NIKKI
I guess this is one of those things I’m going to have to work on.
DONALD
Just like you learned these racist stereotypes, you can learn to see who people like Mr. Hashimoto and Rosa really are.
NIKKI
Rosa? What’s she got to do with anything?
DONALD
You called her a wetback. That’s a really offensive thing to say to a Mexican person–
NIKKI
I was mad about losing Agnes–
DONALD
But is it right to take it out on Rosa?
NIKKI
She’s never gonna replace Agnes–
DONALD
And I don’t expect her to. But I expect you to respect her and give her a chance.
NIKKI
Look, I didn’t mean to hurt her or Mr. Hashimoto. I was just doing things the way Mom used to–
DONALD
Well, that’s not how we do things here. We don’t make generalizations about people here and we don’t use racial slurs to describe people when we’re upset. You call people by their names here or nothing else.
NIKKI
So what’s my punishment?
Donald
I’m not punishing you for making a mistake. What you’re going to do is get dressed and apologize to Mr. Hashimoto and Rosa.
NIKKI
Okay.
Nikki grabs a suit and heels out of the suitcase and hurries into the bathroom to get changed. As she comes out–
Rosa comes in to find out what’s going on.
ROSA
Is everything okay here?
Donald
Yeah. Nikki has something to say to you.
Nikki has her hat in her hand as she makes nervous eye contact with Rosa.
Nikki
I’m sorry about calling you a wetback Rosa. It won’t happen again.
Rosa smiles at Nikki.
ROSa
Apology accepted Nikki.
DONALD
Okay, we better go. I don’t want to leave Mr. Hashimoto is waiting too long.
Nikki and her father rush downstairs to the–
LIVING ROOM
Where Rumsfeld is talking with Mr. Hashimoto. He lights up at the sight of Nikki.
KAZAYA
Mr. Desmond, is everything all right?
DONALD
Everything is fine Mr. Hashimoto.
KAZAYA
Let us do away with these formalities. You may call me Kazaya.
DONALD
Well, my daughter Nicole would like to say something to you Kazaya.
Nikki steps forward with an apologetic look on her face. Kazaya smiles warmly at her.
NIKKI
I’m sorry for mistaking you for a deliveryman Mr. Hashimoto.
KAZAYA
It’s fine. Rumsfeld has explained everything to me about you.
DONALD
Then everything is okay?
KAZAYA
Definitely. It is better to forgive in these cases; I have experienced this misunderstanding on numerous occasions.
DONALD
Like in the supermarket?
Donald and Kazaya connect.
KAZAYA
Yes– I have been mistaken for a vegetable grocer, delivery boy, and a fish clerk, when I go shopping casually dressed. I have found that the best thing to do in these situations is correct the person and move on.
NIKKI
Can you and my Dad move on in your business deal? I don’t want to cost him any business.
KAZAYA
It’s what I’d like to do. I’m hoping you have learned a valuable lesson from this experience.
NIKKI
Oh– I have. Next time I think before I speak.
DONALD
Then let’s have breakfast. Kazaya if you could follow me this way–
Donald leads everyone into the kitchen as–
FAde Out:
The End
ALL ABOUT NIKKI
EPISODE 1.02
“ALL ABOUT SCHOOL”
FADE IN:
INT. DESMOND MANOR Living room – morning
Early morning at Desmond Manor. RUMSFELD, 61, a polished British servant is doing some light dusting of African knick knacks on the mantel when DONALD DESMOND, 45, a well-dressed Black businessman hurries out of the den checking his watch.
DONALD
Rumsfeld, have you seen Nicole? It’s 7:00. She should be getting ready for school–
RUMSFELD
Sir, Miss Desmond just got off the plane a few days ago–
DONALD
She still has to go to school.
Donald is about to hurry upstairs when Rumsfeld asks him–
RUMSFELD
Well, did you register her sir?
It hits Donald in the head.
DONALD
Oh man, I forgot we had to do that! Thanks Rumsfeld.
Nikki’s Dad heads upstairs to–
NIKKI’S BEDROOM
A luxurious bedroom fit for a spoiled princess. Furnished with a white canopy bed, white furniture, stuffed animals, and all the amenities a spoiled teenage girl would enjoy. NIKKI DESMOND, 16, a spoiled rich sista is buried under the sheets asleep when–
Nikki’s Dad walks in. He sits on the side of the bed–
And nudges Nikki. She’s out like a light. He nudges again…
DONALD
Nikki, wake up.
Nikki
Five more minutes Agnes…
And Nikki rolls over dressed in a nightgown with bed hair and a sleep mask over her eyes. Her father nudges harder and–
DONALD
Nicole, wake up.
Upon hearing her father’s voice a startled Nikki rolls over and flips up her mask. Her Dad gives her a smile.
NIkki
Dad! Did I oversleep? What time is it twelve, one?
DONALD
(Checking watch)
It’s seven o’clock. Time to get ready for school.
Nikki
Yeah, about that. Now that I’m out here I think I’m gonna try home schooling. Wake me up about noonish–
Nikki pulls the covers back over her and turns over to go back to sleep. Her Dad pulls them back and says–
DONALD
I don’t think so. The laws of the State of California say you have to go to school–
NIKKI
C’mon Dad, I’ve been kicked out of almost every private school on the east coast. I start getting kicked out of the ones out here and I’ll never get into college–
DONALD
So let’s try public school.
Nikki gives her father a look.
NIKKI
With all the poor kids? Shoot me now–
DONALD
Most of the kids at Beverly Hills High are from families like ours. I think you’ll be all right there.
Nikki folds her arms and pouts–
NIKKI
You don’t want to waste any more money on private schools–
DONALD
Nikki, it’s not about money. Maybe private school wasn’t right for you–
NIKKI
C’mon Dad, home schooling will work for me. No White girls starting fights with me, no teachers hating on me–
DONALD
It can’t be that bad Nicole–
nikki
Dad, you don’t know what it’s like being the only Black girl in school. It’s like I don’t even exist there–
Nikki’s Dad sympathizes.
DONALD
I go through the same thing at work Nicole. But you can’t isolate yourself from the world because people hurt you. You have to go out and face it–
NIKKI
I just get tired of being by myself–
DONALD
Maybe there’ll be someone there just like you. You’ll probably be surprised who goes to Beverly Hills High–
NIKKI
People too poor to afford private school, misfits, losers,–
DONALD
People like you.
NIKKI
Ouch. Right in the chest. Next time go for a head shot–
DONALD
All I’m asking you to do is give this a chance.
Nikki reluctantly goes along with her father.
NIKKI
Three months. If it doesn’t work I want a private tutor.
DONALD
Get ready for school.
Thirty minutes later Nikki is headed downstairs to the–
DESMOND MANOR LIVING ROOM
Where her father and Rumsfeld in his driving uniform are waiting for her. He smiles at the sight of her coming down the stairs in a powder blue Chanel suit, white high heels, and a white Church hat as she slings her Louis Vuitton backpack over her shoulder–
DONALD
Aren’t you a little overdressed for school?
NIKKI
I’m making a fashion statement.
Donald
You didn’t have any other clothes outside of uniforms.
Nikki plays it off.
NIKKI
Dad, a lady never discusses her attire. She lets it be discussed.
donald
We’ll talk about building your wardrobe this weekend. Rumsfeld, bring the Rolls around.
Rumsfeld
Right away sir.
Nikki, Rumsfeld, and Donald head out the mansion to–
Ext. beverly hills high – morning
A high-end public high school campus. Sunny and warm, kids are hanging out on the lawns, playing ball and doing stuff. On the–
School steps
CANDICE COLLINS, 16, a cute funny sista dressed in bleached blue jeans, white sneakers, and a floral print blouse is talking to her White friends DESIREE and NONI, 16, blonde Cali girls in trendy clothes. They watch in awe as–
A white Rolls Royce pulls up in front of the school.
DESIREE
Wow! A Rolls Royce!
candice
They must have serious money to drive a car like that everywhere–
All eyes are on the Rolls as–
Rumsfeld gets out of the car opens the rear door. Candice’s White friends put their feet in their mouths as–
Nikki and her Dad step out of the back seat. She smiles at Candice–
DESIREE
Look, there’s a chauffeur!
noni
Oh my God, those are Black people!
And Candice frowns at her friends.
Desiree
Noni, how can you be so racist?
noni
I’m not being racist. You just don’t see too many people like–
An angry Candice finishes the sentence.
candice
Me coming out of cars like that.
Desiree and Noni try to cover for their social gaffe.
Noni
I didn’t mean anything by it Candice. We just don’t see girls like you with chauffeurs and cars like that–
candice
What do you mean you don’t see girls like me? I live two blocks from you Noni–
Desiree
Candice, she didn’t mean it like that–
Candice
Yeah right. I’m going to homeroom.
Candice storms away from an embarrassed Desiree and Noni into–
int. beverly hills high school room 316 – morning
A bustling social network between the desks and chairs. Kids talking, listening to music on Discmans, playing game boys, catching up on homework and hanging out. Candice broods at her desk as–
Noni and Desiree take seats between her with apologetic expressions pasted to their faces.
Noni
Candice, I’m sorry about earlier–
Candice doesn’t want to hear it.
Candice
Yeah right–
Desiree
It’s not that we’re racist. I mean, how many Black people live in the ten thousands anyway?
candice
You see me every day after school.
Noni tries to break the tension by changing the subject.
NONI
Do you think we’ll see that new girl on campus or in the neighborhood?
Desiree
If she has so much money that she can drive around in a Rolls, I doubt she even notices we exist–
Desiree is interrupted as–
Nikki walks into the room. She approaches the homeroom teacher and asks–
Nikki
Is this is room 316?
The homeroom teacher nods her head. Nikki is surprised as–
She sees Candice. Nikki smiles at Candice and Candice smiles back at her before Nikki takes a seat in the back of the room. Desiree and Noni notice–
DESIREE
Oh my God, she’s wearing a Chanel suit!
NONI
And a Louis Vuitton backpack!
desiree
No way she’s gonna talk to girls like us.
Candice isn’t as pessimistic as her friends.
candice
I think I’ve got a shot with her.
desiree
Because you’re Black–
Candice
No, because she smiled at me–
desiree
She was being nice because you looked at her–
Candice
How do you know how she was being? Are you in her head?
NONI
You don’t need telepathy to know a girl with money like that is stuck up and conceited. Smiles are just a formality for her–
candice
I’m gonna go talk to her–
DESIREE
Candice–
Candice
Just gonna go find out what’s up with the new girl.
Candice jumps out of her seat and heads over to–
Nikki’s desk
And has a seat next to Nikki who is reading her schedule. She peers up–
To be greeted by Candice’s smile. Nikki lights up as Candice introduces herself.
CANDICE
(Extending hand)
Hey, welcome to Beverly Hills High. I’m Candice Collins, token Black chick of the Junior class.
NIKKI
(Shaking hand)
I’m Nicole Desmond, token Black chick from New York, Boston, and Chicago. Nice to meet you Candice.
Candice
You travel a lot?
nikki
Nah, that’s where the boarding schools I was expelled from are.
candice
So what brings you to public school Nicole?
NIKKI
Trying something different. So where are you from Candice?
Candice
Born and raised in right here in Beverly Hills. The only Black family on the ten thousands–
Nikki lights up. They have something in common.
nikki
You live in the ten thousands? That’s where I live!
candicE
No way! What house do you live in?
nikki
10030 Beverly Lane.
Candice
Desmond Manor! Oh man, I just live down the street from you! I didn’t even know Black people even lived in that house!
Nikki
My Dad leaves for work real early so no one probably sees him–
candice
We so have to have lunch. Let me see your schedule–
Nikki hands Candice her program card.
Candice
Great. We’ve got the same lunch period. And a study period–
Candice is cut off by BRRRRING! The bell ringing. Nikki jumps out of her seat to tell Candice–
Nikki
I guess I’ll see you at lunch Candice.
Candice follows her–
Candice
Wait, let me walk with you to your next class–
Passing by a brooding Noni and Desiree–
DESIREE
Why didn’t she introduce us to her?
noni
Maybe she’s still mad at us.
Who feel slighted. Two hours–
later
In the–
int. Beverly hills high cafeteria – Afternoon
Kids chow down and hang out in the high school social hub. Desiree and Noni are sitting in front of nachos when they notice–
Candice looking around at the front entrance of the cafeteria. They feel slighted again.
Desiree
Hey there’s Candice. What’s she standing over there for?
noni
(Rolling eyes)
I can’t believe she’s still mad at us. How long is she gonna hold a grudge?
Desiree
I know, we apologized. She should be getting her nachos and having lunch with us–
As Noni and Desiree brood–
Nikki comes into the lunchroom from the–
Back cafeteria entrance
And heads for the lunch line. Desiree and Noni are pissed as–
DESIREE
Oh my God! I don’t believe this! She’s ditching us for her?
noni
And she says we’re racist.
Candice notices Nikki headed for the lunch line and–
Runs up to her and pulls her away. She lets her know about the unwritten social rules of Beverly Hills High.
nikki
Hey, I just wanted some lunch–
candice
Don’t do that to yourself. You’ll ruin your reputation before it gets started around here.
Nikki
Come on, me getting a cheeseburger isn’t gonna ruin my social standing–
Nikki has to eat her words when–
A nerdy kid with glasses and a pocket protector passes by with a tray of school lunch. Nikki grimaces at the glop on his plate–
NIkki
…But it will ruin my appetite.
Candice
Told you. No one who is anyone gets on the free lunch line. Us cool kids eat over here–
Nikki and Candice walk over to the–
concession stand
And get in line. Nikki gives Candice an appreciative smile.
Nikki
Thanks for saving me from the social gaffe. So what’s good on the menu?
Candice
Well, at Beverly Hills High we students live off nachos, fries, sodas, cookies, onion rings–
Nikki’s feeling generous. She wants to reward Candice for having her back.
NIKKI
Order anything you want. I’m buying.
CANDICE
Wow, no one has ever treated me to lunch before–
Nikki
I always look out for my friends.
Candice
Thanks Nicole.
Nikki
Hey, my friends call me Nikki.
Candice lights up as they connect. As Nikki looks over her choices on the menu Candice looks her up and down and inquires–
Candice
So what’s with the Chanel suit, the heels, and the Louis Vuitton backpack Nikki?
nikki
I always dress when I go out.
Candice
I mean, you’re really dressed up for school–
NIKki
What do you mean? You don’t dress for school?
CANDICE
Dress? So you don’t wear clothes like mine?
Nikki looks Candice up and down.
nikki
That cheap stuff? I only wear that when I’m in the house.
Candice takes a little offense.
candice
But these are the latest fashions from the Gap and Ralph Lauren. Every kid wears them around here–
nikki
(Feeling Candice’s blouse)
You know what I use stuff like this for Candice?
Candice
What?
nikki
I use clothes like these to wax the Rolls.
Candice’s feelings are hurt. Nikki is surprised.
Candice
You don’t have to be so cruel–
Nikki
Look, these are poor people clothes. Only Valley bimbos and O.C. wannabes wear stuff like this–
Candice
I’m from the same neighborhood you’re from and I like these clothes–
NIkki
Look Candice, if you dress like a nobody, you’ll be treated like nobody.
Candice
Don’t you think that’s a little elitist?
Nikki
Look, people will never see you dressed like this–
candice
I just want to be like everyone else–
Nikki
Look, we’re not like everyone else. We’re Black.
Candice has tears in her eyes.
candice
I have feelings like other kids–
Nikki
Look, Candice I didn’t mean anything–
candice
No, no one ever means anything.
Nikki
What’s wrong with you?
candice
I thought you were going to be different. But you’re just like everyone else around here!
A sobbing Candice hurries out of the cafeteria. Nikki realizes she put her foot in her mouth as–
Desiree and Noni survey the damage from afar.
Noni
Man, Candice ran out of here crying. We better go find out what happened–
Desiree folds her arms and tells Noni–
desiree
I’m staying right here.
noni
That’s cold Desiree. She’s our friend–
desiree
Hey, she snubbed us to be with her people. Let her people help her out.
Desiree and Noni go back to their lunch as–
Nikki ponders how to help Candice–
LATER
ext. beverly hills high school front steps – afternoon
The end of the school day, kids are headed home. A brooding Candice feels hurt as–
Noni and Desiree walk past her giving her the cold shoulder.
Candice
Hey–
Desiree
We’re not talking to you.
candice
What did I do?
noni
You talk about us being racist and you’re a racist yourself–
candice
How am I racist?
Desiree
You hang out with the new girl instead of us. What’s that about?
cANDICE
It’s not about anything–
NONI
Is it? You don’t even introduce us to your “sista”–
CANDICE
I didn’t introduce you because we just met. I wanted to get to know her–
desiree
No, you wanted to blow us off.
candice
Look, I just met Nicole–
Noni
And you could have brought her over to our table–
Desiree
It’s obvious you’re more comfortable with your people than us–
Candice
People?
Desiree
I’m gonna be “real” with you Candice. You’re going in a different direction in your life. One where we aren’t gonna fit in. So it’s best if we just ended things here.
Candice
Guys, this is crazy. We’ve been friends for years–
Noni ends things with Candice.
Noni
Look Candice, this is for the best. We’re not kids anymore.
Candice is super pissed. She wants to curse her former friends out but holds back–
Candice
You know what? Forget both of you!
A hurt Candice hurries off the campus as–
Nikki comes out of school. She sees Candice crying and wants to reach out to her as–
Rumsfeld pulls up in the Rolls. Instead, a reluctant Nikki gets in–
int. Rolls Royce – Afternoon
moving
The backseat. Rumsfeld notices the forlorn look on Nikki’s face in the rearview mirror, but keeps things formal.
rumsfeld
Good afternoon Miss Desmond. How was school today?
nikki
The same as it was in private school Rumsfeld. Awful.
rumsfeld
Did you get into trouble again Miss Desmond–
nikki
Kind of. I met this girl.
rumsfeld
I don’t see what the problem is Miss Desmond. You’re making friends–
nikki
Not really. I said something stupid and hurt her feelings.
rumsfeld
You put your foot in your mouth so to speak.
nikki
Toe jam sandwich with blue cheese mold. The thing is I really liked this girl. Man, I meet the only other black girl in Beverly Hills and I screw it up by insulting her clothes–
rumsfeld
A fashion faux pas?
nikki
Like a plaid Sears shirt. She was talking about the Gap like it was some store people shop in for school clothes around here–
rumsfeld
Well, not every student in public school can afford Chanel suits and Louis Vuitton backpacks Miss Desmond–
nikki
But she lives in our neighborhood–
rumsfeld
And not everyone who lives in our neighborhood is as blessed as we are. You have to be a bit more sensitive to the feelings of others–
nikki
I didn’t mean to make Candice cry–
rumsfeld
I’m sure you didn’t Miss Desmond.
nikki
I don’t know what to do. I want to make things better between us. I mean, Candice is a nice girl–
rumsfeld
Well, you could apologize.
Nikki
I don’t think it’s gonna be that easy.
rumsfeld
Miss Desmond, sometimes the simplest gestures of kindness lead to the greatest overtures of understanding.
nikki
I don’t know Rumsfeld, I really think I blew it–
rumsfeld
True friendship can overcome the greatest adversity. I think you should show this young woman the kindness you’re expressing to me.
The conversation ends abruptly as Rumsfeld drives into–
desmond manor
And lets Nikki out. She hurries up the stairs into–
int. Desmond manor living room – AFTERNOON
Where her Dad is eagerly waiting for a report on the first day of school. He jumps off the sofa–
DONALD
Hey Nikki, how was your first day of school?
Nikki
Lousy. Do you know where Candice Collins lives? She says she lives around here–
DONALD
Oh Dr. Collins’ daughter Candice? She lives two houses down from us. Did you meet her at school?
DONALD
Met her and offended her.
Donald gives his daughter a look.
donald
Okay, what did you say?
NIKKI